Borletti-Buitoni Trust
BBT Artists Rewarding Musical Excellence
Dudok Quartet Amsterdam
String Quartet
BBT Award 2018

Dudok Quartet Amsterdam - Press

RES10248 Haydn Op 20 Quartets Vol 1
CD Cover design: Daan van der Horst with photograph by Marco Borggreve

Haydn Op 20 Quartets Volume 1: Nos 2, 3 & 5 on Resonus Classics

One of the lasting pleasures of this recording from the Dudok Quartet of Amsterdam is how well the musical argument is spread between the players… These are glorious performances, beautifully recorded and produced. Four rational people, conversing with eloquence, intelligence and absolutely no shouting. What could be better?

Graham Rickson, The Arts Desk, 2 November 2019

…exemplary recordings of the string quartets opus 20: music with a deceptive and unparalleled simplicity and nobility and above all an enigmatic, immeasurable depth and lightness, that is, for the attentive listener, forever surprising and uplifting.
God, how beautiful this is.

Erik Voermans, Het Parool, 21 October 2019

We have seen before that these players can take on just about anything… The Dudok Quartet has combined repertoire from different style periods over the past few years (Mozart with Ligeti, Mendelssohn with Weinberg), resulting in a series of highly successful albums.
The players show once again the elegance in their interaction. They delicately topple over each other in the faster movements. The slow movements sound subdued but never collapse.
The fugal finales of the second and third quartets are subtle in their choice of tempo and played with crystal clear sound. Hopefully this album is the first in a long series of Haydn recordings.

Maartje Stokkers, De Volkskrant, 11 October 2019

Always alert to Haydn’s myriad caprices, [the Dudoks] introduce some perfectly placed, sinuous phrasing in the third movement of No 3 in G minor, and real verve and colour in its brilliant allegretto. There is an elegant poise to the minuet and trio of No 5 in F minor, then aching dignity in the adagio. Quartets 2 and 5 in the Op 20 set end with a fugue, played sotto voce and at breakneck speed, just one of Haydn’s playful innovations so brilliantly captured here by the Dudoks and beautifully recorded.

Stephen Pritchard, The Observer, 6 October 2019