Summary of Winners
Contact
Simone Gramaglia
at
telephone: + 39 339 202 8871
simone@quartettodicremona.it
Cristiano Gualco
at
telephone: + 39 347 461 5541
info@quartettodicremona.it
|
www.quartettodicremona.it
LauraTear
at Laura Tear Artist Management
telephone: + 44 (0) 20 8293 9911
info@lauratearmanagement.com
|
www.lauratearmanagement.com
The Quartetto di Cremona formed in 2000 (from 2002 in its current formation) is already making its mark on the international chamber music scene. Starting at the Stauffer Academy of Salvatore Accardo in Cremona and continuing at the Scuola di Musica di Fiesole, the Quartetto di Cremona quickly developed and won the applause of the public and critics in the most important halls in Europe and overseas. These include the Wigmore Hall in London, Beethoven Haus in Bonn, Perth Festival and Barge Music in New York. Strad Magazine wrote about their "extremely mature and lyrical sound"; the Australian press defined them as the "glory of the Perth Festival 2004". The last important goal of the Quartet was at the fourth Melbourne Competition, where after hard won selection they won the second prize. This, and their great public reception, resulted in an invitation to partake in a long Australian tour. Other competitions the Quartet have won in the past include first prize with merit at the Vittorio Veneto Competition (the most important Italian competition), first prize in the seventh Cremona International Competition and second prize at the V.Gui International Competition in Florence. The Quartet continues to study and enjoys the mentorship of their beloved teacher Hatto Beyerle of the Alban Berg Quartet. The Quartet participates in the stages of ECMA and ProQuartet. The Quartet has a large repertoire, starting from the first Haydn Quartets and reaching the music of our day, with a particular interest in contemporary Italian composers (for example Vacchi, Berio and Nono and Thomas Olesen). Among future projects the Quartet have a South American and USA tour and many concerts in Europe including the most important Italian venues.
The BB Trust has been for us a real change in our quartet life. In Italy, where chamber music and particularly string quartet playing is neglected, and where there are very few possibilities for a young group to develop and start a good career, winning the Fellowship enabled us to continue more serenely with our artistic development with the artists we really needed to work with throughout Europe. If we can now be appreciated as a quartet internationally it is very much because of the help we have received from the Trust and also the human contact that we get, which is normally lacking in these kind of organisations.
Quartetto di Cremona
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