Since 2003, we have awarded 50 artists and ensembles from 21 countries.
Discover who the Award and Fellowship winners are for 2008 »
Alina Ibragimova violin (Russia) »
Daniela Lehner mezzo-soprano (Austria) »
Shenyang bass-baritone (China) »
Andreas Brantelid cello (Denmark) »
Allan Clayton tenor
(UK) »
Veronika Eberle violin
(Germany) »
Leonard Elschenbroich cello (Germany) »
on 14th May at Symphony Hall Birmingham...
Read moreis set to repeat the success of the first BBT tour...
Read more...BBT is sponsoring a Learning and Participation project which will run throughout the course of the 10-month festival...
Read more...The WOW factor - from baroque to right now. With two very different CDs released this year on Channel Classics, Jörgen van Rijen passionately advocates and demonstrates the validity of the trombone as a solo instrument. Our latest short BBT film takes you from Baroque concerti to the Iraq war.
Watch the film...
Visit the Audio & Video website to hear new audio from Jermolaj Albiker, Soovin Kim, Christian Poltéra and Jörgen van Rijen.
Ilaria Borletti-Buitoni
The Trust was established in April 2002 to help young concert artists, in as flexible and innovative ways as possible, to develop and sustain burgeoning international careers.
Working in partnership with managers, concert promoters, broadcasters, publishers and recording companies the Trust endeavours to nurture selected musicians by encouraging their musical growth and providing an extended platform of opportunities which will help them gain greater public recognition.
read more ››The classical music world has not escaped the modern artistic phenomenon of back-slapping. Whereas in art, books, popular music, films and television it is the proliferation of award ceremonies, in classical music it is new competitions. Mitsuko Uchida clearly has misgivings about competitions, and will not now accept a position on a jury. "I have done it once and decided thereafter that it was a waste of my time. I find competitions far too much of a lottery. It's a fact of life that some players are not suited to competitions, but does that mean therefore they are not acceptable for a musical career?"
read the full interview ››Photo by Richard Avedon
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