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Borletti-Buitoni Trust

Press contact for BB Trust
Debra Boraston
telephone +44 1424 883307
debra@henrymoorestudio.co.uk
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Press Release date: March 2007

Christian Poltéra plays Othmar Schoeck

Christian Poltéra CD Release

Christian Poltéra

Christian Poltéra CD Release

Christian Poltéra Plays Othmar Schoeck
BIS-CD-1597 | EAN 7318590015971 | TT: 61'50

Othmar Schoeck: Concerto for Cello and String Orchestra, Op.61; Sonata for Cello and Piano; Six Song transcriptions (for cello and piano) Christian Poltéra, cello; Malmö Symphony Orchestra / Tuomas Ollila; Julius Drake, piano

Borletti-Buitoni Trust Award Winner (2004) Christian Poltéra has used his award monies to support a series of recordings with BIS featuring unfairly neglected works for cello by three Swiss composers Othmar Schoeck, Arthur Honegger and Frank Martin. Each disc will consist of a concerto coupled with various chamber works, in which Poltéra is joined by illustrious musicians such as Christian Tetzlaff and Kathryn Stott. In each case the orchestral scores are entrusted to the Malmö Symphony Orchestra and conductor Tuomas Ollila.

The first - Christian Poltéra plays Othmar Schoeck – is released in May 2007. Othmar Schoeck (1886-1957), the first composer in the series, wrote a large number of songs and vocal works. But he also had a special relationship with the cello, as testified by his habit of running through sketches for his works with his brother – an amateur cellist – performing the vocal line. It is therefore fitting that Christian Poltéra has chosen to include six songs by Schoeck in his programme, performing them with pianist Julius Drake, who has made Lieder a focus of his career.

The concerto which opens the programme also betrays Schoeck’s preoccupation with the human voice: while the cello’s bold opening statement in the first movement is demonstrably instrumental in conception, the solo instrument is soon ‘singing’ long melodic lines. Some ten years after completing the concerto, the composer revisited the same territory in a sonata which was to become his final work. (In fact, he passed away before being able to complete the projected fourth movement of it.) The Sonata and the Concerto are close stylistically, and echoes of the concerto can be found in the later work – the coda of the sonata’s first movement, for example, quotes almost directly from the first movement of the concerto.

Swiss cellist Christian Poltéra’s talent has won him a place in no less than three schemes designed to raise the profiles of up-and-coming musicians, namely the BBC New Generation Artist scheme, the Borletti-Buitoni Award and the ECHO Rising Star programme. This has given him the opportunity of meeting concert audiences all over Europe, and now – in this three-disc series on BIS – he will be reaching even further afield. His next concert performance in the UK will be at the RNCM Cello Festival where he will perform with cellist Marie-Elisabeth Hecker and pianist Kathryn Stott on Sunday May 6th (1pm). The programme will include Honegger’s Sonatine and Bridge’s Cello Sonata.