Where should classical music be played?
Just how far can classical music go?
How does a symphony orchestra sound in a car park? Or is it best appreciated in specially built halls? BBT stirs the ongoing debate surrounding the idea of taking classical music out of the concert hall to imaginative and often unusual venues. Does this help cultivate new audiences? Younger audiences? Or does it compromise the music? Is taking down the barriers opening a pathway to more people enjoying classical music? Is the ultimate aim to get them into a concert hall?These questions are addressed by a representative sample of Borletti-Buitoni Trust award and fellowship winners as they take their careers not only into new repertoire but new venues. See what ATOS Trio, Erik Bosgraaf, Alec Frank-Gemmill, Bram van Sambeek, Sean Shibe, Mark Simpson, Kate Whitley and others have to say.