Magnus Johnston violin
Nadia Wijzenbeek violin
Lily Francis viola
Tom Hankey viola
Guy Johnston cello
Marie Macleod cello
Tom Poster piano
The Aronowitz Ensemble was formed out of the desire of seven outstanding young international artists to explore and perform chamber music together in the highly adaptable combination of string sextet and piano. Since its sell-out debut at St John's, Smith Square in 2004, the Ensemble has maintained a busy schedule of engagements across the UK and beyond, covering a vast range of repertoire – familiar, neglected and new. As BBC New Generation Artists 2006-2008, Radio 3 broadcasts have included performances from the Wigmore and Bridgewater Halls, the Sage Gateshead, and the Aldeburgh, Bath, Cheltenham and City of London Festivals. The Ensemble made its BBC Proms debut in 2008 and returned for two further performances in 2009. Recent engagements have included concerts at Kings Place, St George’s Bristol, Queen’s University Belfast, and the Cambridge, Chichester, Gregynog, Newbury and Tetbury Festivals. They gave the inaugural Aldeburgh Residencies tour in 2006, contributed five concerts as ensemble-in-residence at the Two Moors Festival in 2007 and curated a series of performances at the Festival dei Due Mondi in Spoleto, Italy. Works written for the Aronowitz Ensemble include Gwilym Simcock’s Contours and Huw Watkins’ Sad Steps, both commissioned by the BBC, premiered at the City of London Festival and BBC Proms respectively. A new work by Martin Suckling, funded by the Royal Philharmonic Society, receives its first performance at the Wigmore Hall in 2010. The Aronowitz Ensemble enjoys collaborations with artists such as Nicholas Daniel, Gerald Finley, Matthew Hunt, Andrew Kennedy, Dominic Seldis, Ailish Tynan and Elizabeth Watts. The Ensemble has performed its own arrangements of works by Gershwin, Weill and Katie Melua in cabaret performances for the Aldeburgh and City of London Festivals. In 2009, the Aronowitz Ensemble was awarded a Special Ensemble Scholarship from the Borletti-Buitoni Trust.
"this enterprising CD debut breathes sensitivity and purpose. The programme is a beautiful one, linked by a clearly identifiable national image."
Financial Times, 8 May 2010
"This is an auspicious debut for both the label and the septet of performers. There are spacious accounts of Vaughan Williams’ Phantasy Quintet and Elgar’s piano quintet, the smoothness and subtlety of playing surrendering little in emotional intensity"
Classical Music, 13 February 2010
"On the Sonimage label, newly founded by Paul Segar, the Aronowitz Ensemble... here demonstrates not only the players’ superbly polished ensemble and intensity of performance but their flexibility too....superb playing and finely honed recording."
Edward Greenfield, Gramophone March 2010
"The premiere recording of Huw Watkins's Sad Steps (2008) – wistful yet lean and supple, written for pairs of violin, viola and cello with piano – complements the melancholy late-romanticism of Vaughan Williams's Phantasy Quintet (1912) and Elgar's Piano Quintet in A minor (1919). The players' exuberance keeps English nostalgia at bay and all stays in keen, bright focus."
Fiona Maddocks, The Observer, 31 January 2010
Project: Climbing The Skies, CD released by Sonimage February 2010
- Support for two recordings with Sonimage
- Support for a series of concerts at The Forge, London
- Redesign of website
- New photos
- Concert clothes
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For a young chamber ensemble with big dreams and aspirations but limited financial resources, it was beyond thrilling when the BBT appeared and - in fairy godmother-esque fashion - granted us the means to make many of these dreams a reality. Quite apart from the generous economic assistance, the trust's personal guidance and advice has been invaluable at this pivotal stage in the Aronowitz Ensemble's development. Among our upcoming projects, we are enormously excited about the release of our debut CD and our peculiarly eclectic series of informal concerts at the Forge, Camden in 2010/11, with which we hope to draw in new and eager audiences. We look forward to welcoming you to share the journey, and we are ever grateful to the wonderful BBT for their help and support.